Search: Starring Andy Garcia

As the plots begin to coalesce everything becomes far too overwrought.

Kids will love it and attendant parents, if they let themselves, may end up enjoying the ride.

The boxes are ticked, the buttons pressed. You want happy endings? You got 'em.

Clever thrillers that flirt with film noir are always welcome, but this is too smart for its own good.

Despite the obligatory happy ending, Dead Again is an enjoyable experience.

Keaton half-deranged is an improvement on Keaton half funny.

Tired, bloated, crude, stumbling, and showing its age, Expendables as a franchise is perhaps a reflection of some of its cast.

By the half way point I was beginning to take back everything I said re Steven Soderbergh's dull-as-ditchwater Che: Part II - even he manages to drum up more tension than this.

The plot is quirky, which means it has potential. Sadly, credibility sinks into a mire of sentiment.

Makes an important contribution to the conversation around sexual violence.

The director (Clint) takes it easy, letting the actors walk through their roles in style.

Twelve is the new 11 and mediocre is the new good.

The plot may be off the credibility charts, but while you're in it you're loving it.

The concept of being trapped in solitary confinement for the rest of your natural is a goose bump reversal experience

Steve Martin is actually quite good at times, but he's let down mostly by a wafer-thin script and misguided direction.

As the film sinks into a morass of sugary fizz a serious question bursts to the surface: are children really interested in emotional cohesion within communities?

Treat it as a live action cartoon, with dramatic pretensions, and you will not be disappointed.

Inspires a feeling of awe.